Falling in Love Montage

“This is what an entire diaspora of edgelords is to going to base their personality on.”
-Bill, The Brain

“When I smoke locker-weed, I just gotta dance, y’all.” 
-Helen, The Basketcase

“Did you ever have Saturday school? …If it’s expunged, you don’t have to tell us.”
-Valerie, The Criminal

We came together on a non-school-day to discuss one more (the last?) ’80s movie mentioned by Olive in Easy A. Its chick-flickness may be dubious, but we were still delighted to have our good friend Bill O’Donnell back on to talk about the John Hughes for-real classic The Breakfast Club.
We learned a lot about ourselves — and a whole lot about the effects of athletic tape on hairy buttcheeks.

Helen’s whiny and pee-filled dog Walter also makes a cameo toward the end.

Check out Bill on our When Harry Met Sally episode!
Check out Bill’s cousin Lisa Genova’s new book Remember: The Science of Memory and the Art of Forgetting!
And download and/or stream our 100th episode — 16 Candles — to help us contribute to Stop AAPI Hate and RAINN!

We needed a little break from the problematic ’80s, so just for the heck of it, we decided to visit the problematic ’90s — and 1999’s beauty-queen black comedy Drop Dead Gorgeous. But we’ll be back with more John Hughes next month!

Unless Kirstie Alley stops us. 

OK, we dragged our feet a little getting to our 100th episode — and getting to Sixteen Candles. We know John Hughes’ directorial debut is considered a landmark teen comedy, one that is loved and celebrated. And even coming upon our own celebratory landmark, we couldn’t find much to celebrate in this stale cardboard cake of a movie.

That said, our discussion of the film’s major problems isn’t incredibly thorough or personal, and we maybe back off of some things for which we should hold the filmmakers more accountable. 
The hosts of Falling in Love Montage are acquainted with sexual assault, and we recognize that — no matter the decade or your age — we (womxn and men) sometimes lack the language to describe what’s happened to us. Sometimes we’re conditioned to believe nothing did. Sometimes we’re shamed into not disclosing.
Also, as white people growing up in the ’80s and ’90s, we were party to perpetuating stereotypes we learned through cultural osmosis and films like this one. It is our place to hold ourselves accountable, and in this and many cases, that means accepting a larger responsibility for our complicity — and recognizing it, listening, and doing better.

We can’t pretend that our discussion of a panty-centric coming-of-age movie or these show-notes about that discussion makes any real difference. But we can promise you that we will donate $1 to https://stopaapihate.org/ and https://www.rainn.org/ for every download of this episode up to 500 downloads.

Thank you for being with us, whether this is your 100th episode or your first. 

Note: Valerie mentions a Vox article in this episode. She actually means this excellent New Yorker article. 

I don’t have a lot to say about the 1987 teen rom-com Can’t Buy Me Love that we haven’t already said, so suffice it to say: check out this episode in which we have a lot to say about the 1987 teen rom-com Can’t Buy Me Love.

Our hearts and Easy A told us to, so here we are, in February 2021, discussing Cameron Crowe’s directorial debut Say Anything with January guest and still-amazing person Michael M. Rader on Galentine’s Day and our fifth podcasting anniversary. 

That was a run-on sentence, I know, but we’ve always been able to say anything to you. 

Does Say Anything hold up after 32 years? Do we hold up after 5? Listen to find out. 

(And again, listen to Michael on WHEEEEEEngs – A Sincere Wings Podcast
& We’ll Get It Right Next Year: An Adventure in Cinema)

Welcome to 2021! New year, new sweat pants, new episode! 
Much anticipated guest and pretend shag of the podcast Michael M. Rader joins us in adorning our bodices with red As … and it doesn’t smell that weird. 

Listen to Michael on WHEEEEEEngs – A Sincere Wings Podcast
& We’ll Get It Right Next Year: An Adventure in Cinema